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Trivium is one of these bands that
seems to cause a lot of dissension between extreme metal
"purists" and those who don't mind a clean vocal here and there. To this
critic's ears,
there is absolutely nothing not to like about this young and
extremely talented
group of guys. While somewhat of a pretentious statement, many have
compared Trivium to
Metallica, not just sonically, but the way the latter lead the metal
pack during their
heyday. I must say that I most definitely couldn't agree more.
Their seem to currently reside two camps of opinions on Trivium: you
either think they're
the next big thing or despise them for being too generic and
radio-friendly. I think it's
fairly obvious that I fall into the former. Yes, Trivium uses
breakdowns. Yes, Trivium has
a rather generic sounding screamed vocals. But one has to take that
within context. Just as
the 80s thrash movement had its stylistic hallmarks, so does the "New
Wave of American
Metal" metalcore scene. However, what Trivium does is take the givens of
the genre and add
their own progressive, catchy, melodic elements to it - and they do it
extremely well. One
thing that really pisses me off is that Trivium "sounds like everyone
else" or they're "not
metal enough". Since when does a band have to lack melody and
comprehensible vocals to be
considered good "metal"?
Trivium has incredibly crunchy, thrashy riffs that hearken back to the
aforementioned Bay
Area scene mixed with a great ear for melodic, complex guitar solos and
soulful , clean
vocals. It's no wonder bands like Megadeth and Metallica are cited as
huge infleunce.like
them, Trivium is able to mix muscular mosh riffs with ear-friendly song
structure, solos,
and at times, vocals, much the way the aforementioned bands have.
Although Trivium doesn't
do anything particularly innovative (at this point, more or less
everything has been done
at some point in the genre, within reason), but the things the band does
do, they do with
incredible competence, style, and tightness. The sum of their parts is
mostly definitely
greater than the whole; not to take away anything from the band. Dare I
say, with no one
being older than 22 years old, these 4 musicians sound extremely tight
and produce well
thought-out song-structures far beyond a band only on their sophomore
effort (as of this
writing).
One thing Trivium brings to the table that is unique from most other
bands in the American
metal/metalcore genre is that Matt Heafy frequently employs the use of
clean, melodic,
almost pop-punk vocals during choruses and refrains. Many have
complained about this, but
for someone who actually enjoys being able to understand lyrics and hear
vocals that
compliment the soaring guitars of a song, this aspect is a boom. Yes,
even my buddy who
absolutely hates harsh vocals (even technically competent bands like
Children of Bodom)
said, upon listening to Ascendancy: "I haven't gotten this into a band
since I first
discovered Altaria", which is definitely a testament to Trivium's
accessibility; by no
means a bad thing.
In sum, Trivium is able to meld the crunchy riffs of thrash and
metalcore with an
easy-on-the-ears penchant for melody and progressive songs that flow
seamlessly. If any
modern band can aspire to be as big as Metallica was, then Trivium
definitely possesses the
drive and prowess to achieve it. This young quintet can only get better
with age. |
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